All Together Now
August Bank Holiday Weekend
31 July – 3 August 2020
Curraghmore Estate, County Waterford
All Together Now... As the dust settles we look back and take stock of our second chapter. Firstly, the All Together Now Team would like to say we are absolutely and fully committed to making sure that the issues that arose this year’s festival are not repeated. We have taken in every comment, every email and are carefully taking note of where we need to improve. We have met and are working closely with An Garda Siochana and our other partner agencies to ensure that the traffic experienced traveling to this year’s festival does not happen again. We aim for the highest standards and plan to deliver the best festival experience possible. We are deeply disappointed that some areas of this years All Together Now fell short of expectations, and for this, we are truly sorry.
Secondly, we would like to thank the All Together Now community for its continued support, we are indebted to those who took a chance on us and joined us on our maiden voyage in 2018 and those who returned again this year, sticking with us through heavy traffic, rain and even wasps, but you still came together in celebration to make All Together Now truly special and memorable.
We have been heartened by the All Together Now community that has taken the time to share their experience with us. Although there were negatives, which we have to and will address and improve for our third edition, there were some amazing and memorable moments. You were respectful of each other, of the beautiful landscape and all our wonderful performers. You enjoyed feasts of food, bespoke cocktails, hidden stages, and hot tubs and a host of different and quirky gems. The Arcadia, Afterburner shot its flames into the night sky, whilst Tigre’s 20 foot wooden Redwood Stag installation looked on down the Road To Nowhere toward the illuminated Curraghmore House. Brunch on the Bandstand with Blindboy had you captivated on Sunday afternoon, overlooked by Tigre’s new wooden Lion. Memorable music moments from Patti Smith to The Murder Capital, The National to Loyle Carner, even the sideways rain couldn’t stop you enjoying The Wailers and Sing Along Social. Our youngest festival-goers enjoyed the dedicated kids’ space, Kids Together, where face painters and performers enthralled both parents and kids alike – the little ones even danced in the rain as George Fitzgerald took over the annual Arcadia Kids Rave.
Look Back: Check Out the Chapter Two aftermovie
We now have the privilege & responsibility of getting back to work on the third edition of All Together Now, which will again take place on the Bank Holiday Weekend – July 31 – August 2nd 2020.
Festival Capacity: We can confirm that our capacity will not increase next year, as we endeavour to improve the overall experience for our loyal audience. All Together Now will remain again Strictly Over 21s. Children between the ages of 12 and under can attend free of charge, accompanied by a parent with a family ticket.
The Loyalty Presale: Presale General & Family prices will remain the same as our second chapter prices from €179.50 – €208. The Loyalty Presale which allows those who attended All Together Now Chapter One or Two a chance to avail of early bird ticket prices before the festival goes on general sale. And first chance to avail of General & Family Campervan passes priced at €75.
Plus the first chance to avail of our limited five series Instalment Plan. Meaning you can get yourself a General or Family Weekend Ticket to All Together Now and spread the cost across five payments. General & Family Weekend Tickets priced – €44.00 per month for 5 withdrawals.
Please note that pre-sale tickets are subject to availability.
Maximum of x2 festival tickets per customer on pre-sale.
Maximum of x1 campervan pass per customer on pre-sale.
The Loyalty & Members’ pre-sale opens this morning
Presale link will be issued to Ticketmaster Previous Purchasers at 8AM this morning &
ATN Members Mailing List + ATN Iphone & Android APP – 1PM Thursday, 22 August and will run until 8AM Thursday, 29 August.
General & Family Ticket Release: Tickets will go on general sale at 9AM Thursday, 29 August via Ticketmaster Ireland & usual outlets priced at €220.00 including booking fee. All Together Now is again Strictly Over 21s. Children between the ages of 12 and under can attend free of charge, accompanied by a parent with a family ticket. General & Family Campervan passes also go on sale priced at €75.
We are delighted to announce a five series Instalment Plan. Meaning you can get yourself a General or Family Weekend Ticket to All Together Now and spread the cost across five payments. General & Family Weekend Tickets priced – €44.00 per month for 5 withdrawals. On the following dates:
1st payment – Day of purchase
2nd payment – 25th November 2019
3rd payment – 27th January 2020
4th payment – 24th February 2020
Final Payments – 30th March 2020
Please note that instalment tickets are subject to availability.
Instalment tickets terms & conditions apply –
Maximum of x4 festival tickets per customer on General Sale.
Maximum of x1 campervan pass per customer on General Sale
Thank You: We’d also like to take this opportunity to thank Lord and Lady Waterford for opening up Curraghmore Estate to us all. We thank Waterford County Council, Tramore Gardai, Waterford Fire Brigade, and the HSE – all of whom have been so helpful and supportive in all aspects of the development of this festival. We want to thank all the residents of Portlaw and Carrick-On-Suir for their continued hospitality and kindness. We thank all the performers, volunteers.
Our creative team that comes together in Curraghmore from all around the world, are already hard at work dreaming of new ideas to enhance next year’s festival. Pod will continue to fly the flag for independent promoters and we will endeavour to bring you the best show we can. We hope that you will join us for All Together Now 2020.
General Weekend Camping –
Allows access into the campsite village as well as the main arena/night time arena.
General Campervan –
You must purchase a general weekend camping ticket per person & one general campervan ticket per campervan to gain entry to the campervan site.
Family Weekend Ticket –
Allows access for 1 adult & up to 2 children aged 12 and under to enter the festival & to camp in the family campsite. You must have children with you to enter the campsite. Adults arriving without children will be refused entry and directed to general camping.
Family Campervan –
You must purchase a Family Weekend Camping ticket per adult & one family campervan ticket per campervan, which allows 1 adult and up to 2 children aged 12 and under to enter the family campervan site.
Instalment Plan –
The initial deposit of €44 euro per ticket + Service Charge per ticket is payable on your credit/debit card and this deposit is non-refundable and not transferable. You then authorise Ticketmaster to auto debit 4 (FOUR) further payments of €44 euro, which will be charged to the same credit card in or around the following dates: 25th November 2019, 27th January 2020, 24th February 2020 & 30th March 2020. You further understand and agree that if Ticketmaster does not receive such Balance on the dates stated above that you will forfeit the Deposit and your tickets, and you consent to event organisers retain the Deposit and re-selling the tickets.
Subject To License – Over 21’s
For any ticket queries please contact Ticketmaster directly on 0818 903 001 or via the ‘Help Chat’ tab on www.ticketmaster.ie and they will be happy to advise you.
Join Us for All Together Now 2020
Further details on next year’s festival
will be released before the end of the year
For media enquiries please contact
Jenny Headen / Stef Edwards @ We Are RedHead
Contact at email@example.com
FOR ITS SECOND EDITION, A SMALL WINTER FESTIVAL CELEBRATING THE NEW WAVE OF IRISH AND INTERNATIONAL FOLK, TRADITIONAL, AND EXPERIMENTAL, TALENT
QUIET LIGHTS – FRIDAY 22 – SUNDAY 24 NOVEMBER 2019
VARIOUS VENUES, CORK CITY
Islander presents the second edition of ‘Quiet Lights’, an exciting new small-scale festival with a big heart, which aims to shine a light on the new wave of Irish and International folk, traditional, and experimental talent that are quietly forging new paths, recollecting old tales, and making new stories.
From Friday 22nd to Sunday 24th November, music from the heart and for the soul will fill Cork city’s nooks, crannies, chapels, and bars.
In terms of traditional music, the line-up features musicians at the very forefront of the genre – Cormac Begley and Liam O’Connor in concert together, launching the festival, and Lankum will have a whole album of groundbreaking music to share. It has been an exciting year for traditional and folk music with the emergence of River Lea – the new folk imprint of the legendary Rough Trade Records – and Quiet Lights presents two of their signed acts, Ye Vagabonds and the Scottish small piper Bríghde Chaimbuel for a celebration of River Lea, upon the River Lee!
In a showcase of their ambition for the future, Quiet Lights 2019 invite international acts for the first time: Peter Broderick – a transcendent American artist, who is constantly pushing both himself and his audiences to produce and experience music in new ways. And bringing new songs from her recently released album ‘What a Boost’, London-based singer and musician Rozi Plain makes a welcome return to Cork. The new album is a collection of songs that she wrote and honed whilst on tour with This is The Kit, of whom she is a member. The result is this earthy, fun, beautiful record.
The festival bill also features live shows from Junior Brother, Anna Mieke, Maija Sofia, Sun Collective, Elaine Malone, John Francis Flynn, Crevice, Lemoncello, Rosa Nutty, Eve Clague, Lowli, All The Brave Hunters, Mide Houlihan, Mantua, and there’s lots of more yet to announce from their conversations strand, which will feature thought-provoking commentary, discussion, and panels, on a number of topics.
Participating venues to house the sounds of toes tapping and string plucking include: Triskel Christchurch, Live at St Luke’s, Coughlan’s Live, Sirius Arts Centre, The Roundy, St Peter’s, The Chapel at Griffith College, and the newly reopened Kino.
Festival Director Jonathan Pearson said: “I’m really excited to have this year’s Quiet Lights music line-up out in the open at last! Marjie, Louise, Shane, and myself, have been working very hard to make sure that this year, its second edition, is a continuation of what made the first year so special. Looking forward to seeing you in November! We promise to bring a little warmth as the winter draws in.”
Tickets are on sale now. To check out the full line-up details and book, visit www.quietlights.net
RELEASED SEPTEMBER 19TH 2019
LAUNCH EVENT LIVE AT THE SUGAR CLUB SEPTEMBER 19TH 2019
Legendary Dublin New Wave act, The Atrix, release their long awaited anthology, ‘Dublin 1979-1981’, on September 19th. To mark the release, the band will be staging a launch event in Dublin’s Sugar Club that evening.
The Atrix formed in 1978, and came out of the same Dublin theatre/cabaret scene as Jim Sheridan, The Radiators, Neil Jordan, Agnes Bernelle, Peter Sheridan and The Virgin Prunes. The Atrix combined a strong theatrical element to quirky but memorable tunes, the most striking examples being the singles “The Moon Is Puce” and “Treasure on the Wasteland”.
They released its first single “The Moon is Puce” on Seamus O’Neill’s Mulligan label in late 1979 to modest acclaim in its local market. This first single was produced by Philip Chevron, then a member of The Radiators From Space and later of The Pogues. The band signed to Dave Dee’s DoubleDee Records label in 1980 and released the follow-up single “Treasure on the Wasteland” in 1980. It was produced by Midge Ure. They released ‘Procession’, their only album in 1981.
Their single, ‘Treasure on the Wasteland’ appeared on the now legendary ‘Just for Kicks’ compilation album, which also featured, among others, Berlin, DC Nein, Rocky DeValera & The Gravediggers, and, a then virtually unknown, U2.
The bands frontman, John Borrowman, tragically passed away in Copenhagen in 1998.
A Biography by Declan Lynch…
There is almost no part of the glory of Ireland at a pivotal time, in which these men known as The Atrix are not present in some form. And it was indeed a kind of glory, given that there was so much to be against, before you could get to all the things you were for, which were usually coming in from Britain or America.
For The Atrix it would be theatre first and then it was rock’n’roll, though in truth it was always some kind of rock’n’roll, from the moment in the De La Salle school in Finglas when John Borrowman approached Hughie Friel to talk about music and in that moment, their destinies were joined. They were about seven years old at the time, when only about one hundred yards away from the street where they lived, other characters in this other Rising were literally being born in Cedarwood Road — Paul Hewson and Fionan Hanvey they were called, for a while at least.
And at some point during that strange little Renaissance, which was unfolding during the 1970s, there was a kid called Philip Ryan from Santry playing Bowie songs on the guitar in Hughie’s front room, visiting Hughie’s sister Valerie. Philip Ryan would become better known as Philip Chevron.
He would introduce Hughie to the work and to the phenomenon that was Agnes Bernelle and to the music of Brecht and Weil – it was beyond theatre, maybe even beyond rock’n’roll, yet these lads in the northside suburbs of Dublin could feel its twisted greatness.
Another friend from up that way, a piano player called Chris Green, was in there too. They knew they were on to something, even if they couldn’t quite figure out what it was.
Hughie became involved in an outfit called the Children’s T Company along with Neil Jordan, Jim Sheridan, Desmond Hogan, Vinnie McCabe, Garrett Keogh, Paula Meehan, Ruth McCabe – not just a collection of remarkable individuals there but remarkable too for the fact that they were performing in schools and receiving an actual wage funded by bodies such as Dublin Corporation and the Arts Council.
That did not last long, but the fact that it lasted at all is the miracle. Alternative sources of energy were also to be found in the vicinity of the Project Arts Centre, with Hughie working on the set design for Jim Sheridan’s play “The Risen People” and as an actor in Peter Sheridan’s “The Rock’n’Roll Show”, which was both theatre and rock’n’roll and which featured among the contributors the name of Paul Cleary. Likewise, Borrowman was a stage manager for the ambitious Irish Theatre Company, touring with Emmett Bergin, Tom Hickey, Godfrey Quigley.
But the glory was not going to be emerging from the theatre or from literature. It was going to come from this tremendous noise that roared out of London and New York circa 1976. A great howl of insurrection that was reaching Dublin too at a time when Hughie Friel was playing drums in the Slow Motion Orchestra that had a residency in the Pembroke Inn every Thursday night, with Neil Jordan, late of the T Company, playing saxophone. And Borrowman, too, would be there or thereabouts.
They were jazzy, improvisational, but that was all over now. Hughie went along to the Junior Common Room in Trinity College to see The Radiators From Space and knew that he had to be in some such band. There was no other way to live. On guitar, The Radiators had the kid we last encountered in Hughie’s front room, playing Bowie songs, somehow making his own connections with the Berlin cabaret of the 1930s. Now he was a punk rocker, and he would soon be seen on the cover of an early edition of the new Hot Press magazine, bound like The Boomtown Rats for the promised land of London.
Knowing that they were on the right side of history and right about most other things too, in 1978 Hughie Friel, John Borrowman, and Chris Green formed The Atrix. They would eventually be joined on bass guitar by Dick Conroy, who responded to a recruiting poster which featured a picture of the three Atrix alongside a silhouette of the fourth and a question : “Space Player : Can You Fill This Bass?”
Conroy came to the house in Number 2, Beresford Place in which the band was living and rehearsing and played the bassline of Elvis Costello’s “Watching the Detectives”. He got the gig right there, with this group that was devouring the music of Talking Heads and XTC and Joy Division, that had already devoured anything that was any good and which they had found by accident on the wasteland in the Ireland of their youth.
That house in Beresford Place, near Busarus, a mostly derelict building that by a stroke of fortune they were renting for a tenner a week, was where they truly became a band, jamming and writing songs and feeling that they might be a special group. And not just a singular group, but one of several bands, the names of which were always being rattled off together at that time as part of a perceived Dublin punk and “new wave movement”, The Vipers, The Radiators, The Blades, DC Nien, U2, The Atrix….
And there was an artist called Brian Kelly who used to do the posters for the Slow Motion Orchestra, whose work so impressed The Atrix that they recruited him as a kind of a fifth member of the band to do all the artwork. Until then they would all be doing a bit of everything, but now they would be specialising.
Billy McGrath became their manager, having started out with Stagalee, a superb Irish funk band, which was an unusual enough thing in itself but not as unusual as The Vipers, The Radiators, The Blades, DC Nien, U2, The Atrix…
Stagalee indeed had played at one of the seminal events of this time, the Dalymount Park festival of 1977 headlined by Thin Lizzy, who were supported by Graham Parker and The Rumour, with further down the bill the Radiators From Space and the Boomtown Rats who were about to appear on Top of The Pops later that week doing “Lookin’ After Number 1”.
I might also add that, in time, Billy McGrath would be the first “alternative comedian” I saw standing up on a stage in Ireland. But that time had not yet come.
For now he was booking The Atrix as support to The Undertones in McGonagles, a magical night.
They played the famous Carnsore anti-nuclear festival and Christy Moore enjoyed them so much he gave them a barrel of Guinness. Their sound engineer for the day was Nicky Ryan, who was also most encouraging, and whose superior abilities in sound production were eventually known to the world through the music of Enya.
The first single, “The Moon Is Puce”, was released on Mulligan, which had also released “Lookin’ After Number 1”. It was produced by Philip Chevron (there were red and yellow chevrons in Brian Kelly’s sleeve design, oddly enough) and it actually got played a lot on national radio, a strange new environment for members of this “new wave movement” who were more accustomed to bringing their demo tapes to Dave Fanning at dead of night, as he did his show in the pirate radio “studio” of Big D. They might even have got an instant review from a frequent visitor to those premises who lived nearby in Earlsfort Terrace, the great Bill Graham.
The best energies were with them now. They were playing McGonagles regularly, and in the fullness of time they would eventually be facing decisions like, who would they prefer to support on a tour of Britain, the Boomtown Rats or Simple Minds? They would go for the ones who had just had a monstrous hit with “I Don’t Like Mondays”, which they could listen to on the tour bus using this new thing called the Sony Walkman, and it would be great, even on the night in Manchester when the NME gave them a better review than the Rats.
The best energies were with all of these new bands, who were not just creating their own identities, they were feeding off each other – The Atrix were blown away by the Radiators’ album “Ghostown”, because it was produced by Bowie’s man Tony Visconti, mainly because it was magnificent.
They all went together in a boat to London, The Atrix, DC Nein, The Virgin Prunes, U2, as part of the Sense of Ireland festival organised by John Stephenson, and on St Patrick’s Night in The Venue there was a cataclysmic gig which finished up with Philip Chevron singing a version of “Television Screen” featuring Hughie Friel on drums, Adam Clayton on bass, and Rory Gallagher on guitar. Eventually the management tried to bring the curtain down but Rory just kept playing.
Midge Ure came to The Atrix new home in Ringsend to produce the single “Treasure On The Wasteland”. He played them this track he had just done called “Vienna”, which he had no immediate plans to release , happy to be involved with The Atrix, and they with him. John Leckie, who had been an engineer at Abbey Road with Pink Floyd, a producer of XTC and later of Radiohead and The Stone Roses, would produce the album “Procession”.
But in the end the story of The Atrix is not to be found in discographies or in the footnotes of the music business. It is a story of friends who followed their best instincts in an Ireland that did not encourage such adventures, of friends who became artists together, who found this thing that worked beautifully for a while, who were always bringing plenty to the party.
And when the party was over, there was much that they left behind them.
“The Stunning pretty much did it all first time around, in this country at least. Paradise In The Picturehouse was the first Irish debut album to go to Number One and stayed there for Five weeks.” Hotpress
The Stunning formed in 1987 in Galway and had their first top twenty single just a year later followed by two more top ten hits before their debut album ‘Paradise in the Picturehouse‘ hit the number one spot in 1990 staying there for 5 weeks.
The band was now a household name and became the soundtrack to the lives of a whole generation of people brought up in Ireland during the 80’s and 90’s. Over the next year or so, there were four more hit singles, followed by another number one album. They released a live album in ’93 before splitting up a year later.
After an absence of almost ten years, the band reformed for an 18-date tour, which turned out to be one of the highest grossing tours in Ireland of 2003. In 2012 around 30,000 people turned out to see them play a free concert in their old hometown of Galway city, a testament to the timeless quality of their music.
And more was to come: in May 2017 they released a brand new single ‘Brighten Up My Life’, which has received over 1700 plays on Irish radio to date. Another new single ‘Always You’ was released in November of the same year, the day before their first sell-out London show in 23 years.
In March 2018 the band released ‘Twice Around the World’, a re-recorded, re-vamped version of their number one album ‘Once Around the World’. It topped the charts once again and was the biggest-selling album in Ireland that week.
The band then embarked on a sold-out tour of Ireland and headlined festivals over the summer of 2018.
Don’t miss this special show celebrating 30 years of The Stunning’s iconic debut album at The Olympia Theatre on Saturday 14th March.
Tickets from €30 including booking and restoration fees are now on sale.
Ireland’s Premier Independent Music & Arts festival 19th – 21st of July 2019
“New Additions” LINE UP ANNOUNCEMENT
Plus….. Get ready for “The Knock’ Out Games!”
KnockanStockan have already announced their return for the Summer of 2019, with heavy emphasis on their ethos which is to support and… “Love New Music”. Today we give you a special gift: New Additions to the impressive line-up setting the bar higher than it’s ever been.
It has been less than four months since Little Green Cars called it a day, but four of the band’s five members wasted no time in announcing a new band: SODA BLONDE. Fronted by Faye O’Rourke with Adam O’Regan, Donagh Seaver O’Leary and Dylan Lynch the band “evokes the tragic beauty of Karen Carpenter and the pop sensibilities of Annie Lennox”. They have just performed on The Late Late Show on RTE, and performed to a sell-out show in TGS and are going to be playing at Knockanstockan this year as part of the New Additions to the line-up, announced today June 19th.
The new additions also include Kerryman Donal Dineen, a pioneering DJ, Photographer and Filmmaker along with punk rockers Panik Attaks consisting of – Rob Walsh (Cold Comfort), Mick Pyro (Republic of loose) Trevor Keogh (New Secret Weapon) Alex Harvey (Thumper) and Rian trench (Solar Bears) + MANY MORE>>>
Here is the complete line up of NEW ADDITIONS!
New live acts !
Soda Blonde | Uly | Donal Dineen | The Panik Attaks | Jimmy Penguin | Messyng | Aswell | Pine The Pilcrow | Lil’ Brendan | Donal Gunne Band |VictorRama | The Other Side of Detroit | Schindler’s Fist | Robbie Cash & The Black Tar Bandits
More Performance Artists!
Eoin Tyrell | GirlPlay | Elder Norman’s Formal Board of Normal Mormon Moral Orders and Frankie | Cikada Circus | Spiralites | LedBelly | Giant Wolf Theatre Company | The Comedy Collective| Walnut & Scroope | Niv, Circus Hoop Artist | SPÁSÓGS | Emmet O’Brien ft. Sea High | Sarah Kineen | Disco Dragons | Cúana Matata | Ring Dem Bells
First Music Contact presents…
IRELAND MUSIC WEEK 2019
Discovering The Soundtrack To Ireland’s Future
Artist Applications Now Open
1st – 5th October
Tuesday 1st | Wednesday 2nd | Thursday 3rd | Friday 4th | Saturday 5th October
Ireland Music Week is calling on Irish artists to apply to play at this year’s festival. It will take place across five days in October, with the music showcases taking place on Friday 4th and Saturday 5th.
Log onto https://www.irelandmusicweek.com and click on the “APPLY TO PLAY” button – applications will be through the artists’ Breaking Tunes profile. Closing date for applications is June 16th.
50 acts will have the chance to play and take part in this internationally-recognised event which runs in a variety of venues across Dublin showcasing Ireland’s best emerging talent.
For artists of all levels, the conference at the festival will give them a chance to learn and develop their craft and create new opportunities with agents, labels, bookers, music supervisors and services from all over the world. IMW has planned a number of new approaches to the conference that will make sure attendees can get the most out of the event no matter what stage of your professional development you are at.
This year, additions to this core programming will include dedicated B 2 B conference elements to facilitate the needs of the newly formed FMC-founded AIM Ireland, along with other offerings from new strategic partners introducing new audiences for Irish music around Europe as well as more networking and masterclasses to be announced closer to the dates.
First Music Contact, who run Ireland Music Week work with Irish acts from the very beginning of their careers. This annual showcase is an opportunity to offer Irish acts some vital exposure provided by the stellar mix of influential Irish and international delegates who attend including avenues for agent, label, management deals and more.
“Ireland Music Week is a key moment in the talent pipeline for the best emerging artists in our country and plays a key strategic role in how we are helping develop Irish artists and Irish music to become world beaters” says Angela Dorgan, CEO of First Music Contact. “We would encourage artists who feel they are ready for international development to apply for Ireland Music Week, so we can start this story with them “
FMC also run Music From Ireland, the Irish music export office.
Artist applications now open via https://www.irelandmusicweek.com/apply
Ireland’s annual music showcase and conference Hard Working Class Heroes festival has changed its name, now known as Ireland Music Week and will expand to a five-day event.
Some of last year’s big successes to progress from the festival include Just Mustard, The Wood Burning Savages, Wild Youth, Æ Mak, Flynn, Pillow Queens, ROE, Bad Bones, A. Smyth, Kitt Philippa, Laoise, THUMPER, Maria Kelly, Molly Sterling, Joshua Burnside and more.
Since its inception in 2003, the festival has showcased many of Ireland’s best-known acts including Fontaines DC, David Keenan, Soulé, Daithí, whenyoung, Bitch Falcon, Jafaris, Chasing Abbey, Saint Sister, Wyvern Lingo, Jealous of the Birds, Fangclub, Touts, The Academic, Choice Music Prize winners Rusangano Family, Villagers, 2013’s breakthrough act Hozier, along with Girl Band, Jape, The Coronas, Talos, Le Boom, Loah, Soak, Ham Sandwich, All Tvvins, Otherkin and many more.
|| Ireland Music Week is supported by The Arts Council / Culture Ireland / Dublin City Council Local Enterprise Office (LEO) ||
RTÉ Choice Music Prize
In association with IMRO and IRMA
Irish Album of the Year 2018 Shortlist Announcement
Vicar Street, Dublin – Thursday 7th March
Tickets on sale now at http://www.ticketmaster.ie
The shortlist for this year’s RTÉ Choice Music Prize, Irish Album of the Year 2018, in association with IMRO & IRMA, was announced today on RTÉ 2FM’s Tracy Clifford Show by Tony Clayton-Lea, chairman of the judging panel. The shortlist is as follows:
The Academic – Tales From The Backseat (ROOM6 Records)
Delorentos – True Surrender (Delo Records)
Just Mustard – Wednesday (Pizza Pizza Records)
Kojaque – Deli Daydreams (Soft Boy Records)
O Emperor – Jason (Big Skin Records)
Lisa O’Neill – Heard A Long Gone Song (River Lea Recordings)
Saint Sister – Shape Of Silence (self released)
Rejjie Snow – Dear Annie (BMG)
Villagers – The Art Of Pretending To Swim (Domino Recording Co)
Wyvern Lingo – Wyvern Lingo (Ruby Works)
As part of RTÉ’s continued commitment to promoting Irish music, RTÉ 2FM celebrates the announcement of the shortlist across its schedule throughout the day with All Irish Music All Day from 6am to midnight. Dave Fanning will also chat to Tony Clayton-Lea about the album shortlist on his weekend show this Saturday from 9.00 – 11.00am on RTÉ 2FM.
The winning album will be announced at the RTÉ Choice Music Prize live event, held in Vicar Street, Dublin on Thursday 7th March and broadcast live on RTÉ 2FM in a special four-hour extended show from 7-11pm. A special television programme of the event will be broadcast shortly afterwards on RTÉ2.
The 14th annual RTÉ Choice Music Prize will once again celebrate the best in Irish recorded music. The Prize has become one of the music industry highlights of the year since its inception in 2005. The Irish Album of the Year award is chosen from a shortlist of ten albums by a panel of twelve Irish music media professionals and industry experts.
RAAP and Culture Ireland are also official project partners of the RTÉ Choice Music Prize.
Culture Ireland will fund the attendance of influential overseas Industry executives to attend the RTE Choice Music Prize Live Event on March 7th. First Music Contact (FMC), as part of their international profiling activity, will again advise on the selection of overseas delegates and oversee their integration into the individual mentoring sessions with the artists and the conference.
This year RTÉ Choice Music Prize also partnered with Yangaroo Music Ireland who have provided all eligible artists with a simple, free method of instant delivery of a digital copy of their eligible album directly to the Irish Album of the Year judging panel. Yangaroo Music Ireland (http://www.yangaroomusic.ie) offer a professional digital delivery service for Labels and Artists to deliver their new music releases instantly to media, venues, festivals and promoters in Ireland.
RTÉ Choice Music Prize “Conversations” will return and take place on the 7th.
Tickets for the Choice Music Prize live event are on sale now from all Ticketmaster outlets and from http://www.ticketmaster.ie priced €28.00 including booking fee.
Following their triumphant anniversary show last year in Dublin’s NCH, PictureHouse have announced a once off show on November 23rd in The Academy to celebrate their “Karmarama” album from 1998.
“Karmarama” which achieved gold status, reached the Irish Top 10 and featured a string of hit singles including , “All the time in the world”, “Love in the streets” and the summer smash hit “Sunburst” which was the most played song on Irish radio for both 1998 and 1999 and appeared on TV ads as well as a film soundtrack.
Returning to the scene of the crime, PictureHouse recorded a live album in a venue called HQ – which was on the site of what is now The Academy. “This was a no brainer for us, after our Shine Box show in NCH last year, we found people wanted to hear these songs live again, we thought it would be great to go back do these songs on the site where we also recorded a live album back then! We’ll play the entire album and some other favourites. We can’t wait!”
Last year the band famously celebrated their 21st anniversary of their debut album Shine Box amid tributes from President Higgins, Dustin The Turkey and Bono.
Tickets are on sale now from Ticketmaster from €32
HARD WORKING CLASS HEROES 2018
Call for Applications
Ireland’s Annual Music Showcase and Conference
Thursday 27th | Friday 28th | Saturday 29th September
Hard Working Class Heroes festival is making its annual call to Ireland’s musicians, bands and singer-songwriters to apply for HWCH 2018. 50 acts will have the chance to play and take part in this internationally-recognised event which runs in a variety of venues across Dublin showcasing Ireland’s best emerging talent.
Log on to hwch.net and click on the “BANDS APPLY HERE” button – applications will be through the artists’ Breaking Tunes profile. Closing date for applications is July 6th.
The festival takes place from Thursday 27th to Saturday 29th September with an opening networking night followed by the live showcases which will take place across Friday and Saturday night. Keep an eye on the socials for tips from some of the local and international judges between now and the application closing date on July 6th.
First Music Contact, who run the festival, work with Irish acts from the very beginning. This annual showcase is an opportunity to offer Irish acts some vital exposure provided by the stellar mix of influential Irish and international delegates who attend HWCH including avenues for agent, label, management deals and more.
RTÉ 2FM have come on board as the official radio partner (further details to follow in July).
Last year HWCH reduced the amount of bands showcasing to 50 and highlighted the need for acts to have a development plan and an eye on international activity. The success of this move resulted in a record number of Irish acts being selected for overseas showcase events in 2017 including Eurosonic, SXSW, The Great Escape, Reeperbahn, Primavera Pro and more.
Some of last year’s big successes to progress from the festival include acts such as Soulé, Roe, Bitch Falcon and David Keenan who played at Eurosonic in January / Fontaines, Æ Mak, Jafarais Lilla Vargen and Jealous of the Birds who showcased at The Great Escape / Paddy Hanna and Le Boom who recently graced the Primavera Pro stage in Barcelona.
Since its inception in 2003, the festival has showcased many of Ireland’s best-known acts including Maria Kelly, Saint Sister, Choice Music Prize winners Rusangano Family, Villagers, 2013’s breakthrough act Hozier along with Girl Band, Ailbhe Reddy, Delorentos, Soulé, Jape, Coronas, Pleasure Beach, Talos, Le Boom, Otherkin and many more.
“With bands securing agents, managers and some label deals as well as a huge jump in national and international profile, a slot at HWCH is something of a bucket list achievement for a lot of developing Irish acts “ says HWCH Director Angela Dorgan “the payoff is also on view in the record amount of Irish acts on the bill at all our domestic festivals. It has never been more important to showcase Irish talent”.
At last year’s festival, HWCH announced a new initiative with Dublin City Council Local Enterprise Office, the ‘Start Your Own Music Business Course’ was designed by DCC LEO and First Music Contact specifically for musicians and those who work with them in an effort to increase supports to musicians as Creative Industries.
The first 18 graduates of the pilot scheme which ran this year with great success will be celebrated on the opening night of HWCH. FMC are delighted to continue the relationship with DCC LEO for 2018 and beyond with the second SYOMBC launching in January with more to come around the country througout 2019.
|| HWCH is supported by The Arts Council / Culture Ireland / Dublin City Council Local Enterprise Office (LEO) / RTÉ 2FM / IMRO ||
Laura Whitmore Writes for Hot Press About The MeToo Movement – and Her Own Experience of Sexual Mistreatment.
**The full, in-depth interview can be seen in the new Hot Press, in stores from Thursday, 12 April 2018.
In a major article that runs over three pages of the magazine, the UK-based Irish broadcaster takes a stand on the issue of the abuse of women both in everyday life – and via the media. And she details her own experience of aggressive and threatening unwanted male attention.
In the new issue of Hot Press, which hits the news stands tomorrow morning; Laura Whitmore has written an exclusive piece on the issue of the abuse of women and the importance of the MeToo movement.
The article is based on Laura’s own personal experiences, which she describes in powerful detail, for the first time.
“My heart says now is the time to talk about this,” Laura tells Hot Press readers, “probably because personally I feel stronger and in a better position – and on a wider scale, the truth is that we’ve all had enough.”
The article sets out a series of deeply unpleasant and sometimes threatening experiences to which the Irish broadcaster, actor and model has been subjected during the course of her career – but also simply as a woman. It is a heart-felt and moving statement about the way in which far too many men over-step the mark, with results that are frequently ugly and offensive.
“Last year I was in a club with my friends and I could feel a hand on the back of my leg,” she writes. “Initially I thought it was my boyfriend messing or a mate about to pinch my bottom – but the hand went under my skirt, between my legs, and firmly touched me. As I turned, I saw it was a guy who I did not know. He was laughing.”
The problem for women in general is that experiences like this are relatively commonplace. Which is why Laura insists, during the course of a finely written piece, that the routine abuse of women must stop.
“Away from allegations of rape, and flawed judicial systems,” Laura reflects, “what has really hit me is how women are portrayed in general. All this shaming and degrading. In a sense, the ‘Me Too’ movement is just the tip of the iceberg.”
She writes about her experiences during Strictly Come Dancing – which proved to be a desperately unhappy experience for her.
“I was thrown into the lion’s den,” she recalls, “and into the middle of someone’s break-up that had nothing to do with me. Once again, I was a ‘rumoured love interest’.
“The media saw me as blonde bait in a sequined dress,” she adds. “How have we sunk to this situation, where women are routinely reduced, and demeaned, in this way? It is impossible to understand, when everything about it is so wrong, so misguided and so vile.”
She also describes scenes of harassment and expresses her anger at how male photographers look for so called ‘pants shots’ – at the expense of her and other women.
“I know that compared to many people I have been fortunate. I love this life and I’ve been blessed with wonderful opportunities – but I’ve had enough of being trivialised and gossiped about. Women are not playthings – either of men or of the media – and should not be treated as such.”
**The full, in-depth interview can be seen in the new Hot Press, in stores from Thursday, 12 April 2018.
The full article can be read on www.hotpress.com NOW
The new Hot Press, available in shops or here: https://shop.hotpress.com